Op.35--Based on the second movement (2018)Won the first prize of the professional performance in the IPEA International Percussion Competition (2017) Won the Second Prize Art Scholarship of Shanghai University (2015-2016)Won the Second Prize Art Scholarship of Shanghai University (2014-2015)Won the Special Academic Scholarship of Shanghai University (2014-2015)Won the Self-improvement Scholarship of Shanghai University (2014-2015)Won the first prize of the National Instrumental Music Ensemble in the Third National University Student Art Competition in Shanghai Division (2014)Won the first prize in the China CCTV National Instrumental Music TV Competition with the Shanghai Students’ Art Troupe Chinese Orchestra II (2012)Won the "Highest Honor" Best Performance Award at the 5th "Summa Cum Laude" International Youth Music Festival in Vienna, Austria (2011)Won the gold medal of the Shanghai Spring International Music Competition (solo group and ensemble group, 2010)Won the gold medal in the Shanghai Student Art Individual Competition (solo group, each year 2005-2010)Won the gold medal in the Shanghai Student Art Individual Competition (ensemble, each year 2005-2010) OTHER ACTIVITIES PIANO2024.06 – PresentProvide piano, music theory and solfeggio lessons at Shanghai Shuanghan Li International Piano Music Center (2025-)Participate in the teacher-student concert of Shuanghan Li International Piano Music Center and perform Debussy's works at Steinway House (2025)Provide private piano lessons, music theory and solfeggio lessons (2025)Provide guzheng and piano lessons at Kunshan Yixin Art Institute (2024-)2022.07 – 2024.06Played as a pianist at the Concert Hall named by Rachmaninoff of the Kazan State Conservatory and at the same time and served as a bilingual host (2024)Played piano as a concertmaster in the assistantship examination of the Department Choral Conducting (2022)2018.09 - 2022.06Played Shostakovich’s work as a pianist at the Folk Music Concert Hall of the Kazan State Conservatory (2022)Played Prokofiev’s work as a pianist at the Small Concert Hall of the Kazan State Conservatory (2021) COMPOSITION AND MUSICOLOGY2024.06 – presentPublished "Zhu Jian'er's Symphonies: On the Problem of Orchestral Composition" in the scientific journal (ISSN 2226-3330) (2024)Arranged such as "La gloire à mes genoux" and "Le bien qui fait mal" for New Classic Orchestra (2024)Translated the preface and notes of the score of Shostakovich's "Symphony No. 14, Symphony No. 15" published by Moscow's "Music" Publishing House, and the preface to the score of Berlioz's "Harold in Italy" published by Moscow's "State Music Publishing House" (2024, unpublished)Translated excerpts from "Conducting Techniques" by Ilya Musin (2024, unpublished)2022.06 - 2024.06Participated in the 16th and 17th International scientific and practical conference: "Actual problems of performing arts: history and modernity", analyzed Zhu Jian'er's First Symphony and Seventh Symphony (2023, 2024)Participated in the International scientific conference “Mode communications in the Eurasian musical field” about the modal organization of the first symphony (2024)Assistant and translator in the master's Instrumentation lecture (2024)Re-orchestrated Gubaidulina's "Fairy Poems" and Stravinsky's "Dumbarton Oaks" for the opening concert of the XIII International Festival of Contemporary Music named after Sofia Gubaidulina “Concordia” (2023)Published "Composer Zhu Jian'er: A Creative Portrait" in the journal (2023)Published "Zhu Jian'er's Symphonic Creation: About the First Symphony" in the journal " (2023)Participated in the conference "Decade of Student Science": A creative portrait of the Composer Zhu Jian'er --Analysis of the Fourth Symphony (2023)2018.09 - 2022.06Arranged for a Modern/Postmodern orchestra: The delicate aroma- for two Bangdi (Chinese transverse flute) and Piano which composed by Chenxi Li, a young composer of Shanghai Conservatory (2022) Participated in the 14th and 15th International Science and Practice Conference "Modern Music Performance and Pedagogy" Practical Problems of: History and Modernity": Orchestral style of I. Stravinsky (2021,2022)Composed Suite "Five Pieces in Chinese Style" for piano solo (2020), "Untitled" for piano solo (2021)2014.09 -2018.06 Dissertation: Musicological analysis of the symphonic suite Op.35--based on the second movement (2018)Participated the Academic Salon of Shanghai University: A Preliminary Study on Composition Techniques of Xuntian He's Dabo River Caprice (2016)Participated in publishing projects such as "Shanghai JiaoTong University Choral Works", "Paris Commune Cantata"(2015)Assistant in the theoretical teaching and examination paper verification of the Shanghai Examination (2015-2017)Presenter of the seminar of Shanghai University Quality Education Concert, analyzed the traditional genre of the Chinese traditional musical instrument Guzheng and contemporary compositions, and interpreted those works with the common Guzheng and Cantonese style Guzheng with steel strings (2014-2017)"> Op.35--Based on the second movement (2018)Won the first prize of the professional performance in the IPEA International Percussion Competition (2017) Won the Second Prize Art Scholarship of Shanghai University (2015-2016)Won the Second Prize Art Scholarship of Shanghai University (2014-2015)Won the Special Academic Scholarship of Shanghai University (2014-2015)Won the Self-improvement Scholarship of Shanghai University (2014-2015)Won the first prize of the National Instrumental Music Ensemble in the Third National University Student Art Competition in Shanghai Division (2014)Won the first prize in the China CCTV National Instrumental Music TV Competition with the Shanghai Students’ Art Troupe Chinese Orchestra II (2012)Won the "Highest Honor" Best Performance Award at the 5th "Summa Cum Laude" International Youth Music Festival in Vienna, Austria (2011)Won the gold medal of the Shanghai Spring International Music Competition (solo group and ensemble group, 2010)Won the gold medal in the Shanghai Student Art Individual Competition (solo group, each year 2005-2010)Won the gold medal in the Shanghai Student Art Individual Competition (ensemble, each year 2005-2010) OTHER ACTIVITIES PIANO2024.06 – PresentProvide piano, music theory and solfeggio lessons at Shanghai Shuanghan Li International Piano Music Center (2025-)Participate in the teacher-student concert of Shuanghan Li International Piano Music Center and perform Debussy's works at Steinway House (2025)Provide private piano lessons, music theory and solfeggio lessons (2025)Provide guzheng and piano lessons at Kunshan Yixin Art Institute (2024-)2022.07 – 2024.06Played as a pianist at the Concert Hall named by Rachmaninoff of the Kazan State Conservatory and at the same time and served as a bilingual host (2024)Played piano as a concertmaster in the assistantship examination of the Department Choral Conducting (2022)2018.09 - 2022.06Played Shostakovich’s work as a pianist at the Folk Music Concert Hall of the Kazan State Conservatory (2022)Played Prokofiev’s work as a pianist at the Small Concert Hall of the Kazan State Conservatory (2021) COMPOSITION AND MUSICOLOGY2024.06 – presentPublished "Zhu Jian'er's Symphonies: On the Problem of Orchestral Composition" in the scientific journal (ISSN 2226-3330) (2024)Arranged such as "La gloire à mes genoux" and "Le bien qui fait mal" for New Classic Orchestra (2024)Translated the preface and notes of the score of Shostakovich's "Symphony No. 14, Symphony No. 15" published by Moscow's "Music" Publishing House, and the preface to the score of Berlioz's "Harold in Italy" published by Moscow's "State Music Publishing House" (2024, unpublished)Translated excerpts from "Conducting Techniques" by Ilya Musin (2024, unpublished)2022.06 - 2024.06Participated in the 16th and 17th International scientific and practical conference: "Actual problems of performing arts: history and modernity", analyzed Zhu Jian'er's First Symphony and Seventh Symphony (2023, 2024)Participated in the International scientific conference “Mode communications in the Eurasian musical field” about the modal organization of the first symphony (2024)Assistant and translator in the master's Instrumentation lecture (2024)Re-orchestrated Gubaidulina's "Fairy Poems" and Stravinsky's "Dumbarton Oaks" for the opening concert of the XIII International Festival of Contemporary Music named after Sofia Gubaidulina “Concordia” (2023)Published "Composer Zhu Jian'er: A Creative Portrait" in the journal (2023)Published "Zhu Jian'er's Symphonic Creation: About the First Symphony" in the journal " (2023)Participated in the conference "Decade of Student Science": A creative portrait of the Composer Zhu Jian'er --Analysis of the Fourth Symphony (2023)2018.09 - 2022.06Arranged for a Modern/Postmodern orchestra: The delicate aroma- for two Bangdi (Chinese transverse flute) and Piano which composed by Chenxi Li, a young composer of Shanghai Conservatory (2022) Participated in the 14th and 15th International Science and Practice Conference "Modern Music Performance and Pedagogy" Practical Problems of: History and Modernity": Orchestral style of I. Stravinsky (2021,2022)Composed Suite "Five Pieces in Chinese Style" for piano solo (2020), "Untitled" for piano solo (2021)2014.09 -2018.06 Dissertation: Musicological analysis of the symphonic suite Op.35--based on the second movement (2018)Participated the Academic Salon of Shanghai University: A Preliminary Study on Composition Techniques of Xuntian He's Dabo River Caprice (2016)Participated in publishing projects such as "Shanghai JiaoTong University Choral Works", "Paris Commune Cantata"(2015)Assistant in the theoretical teaching and examination paper verification of the Shanghai Examination (2015-2017)Presenter of the seminar of Shanghai University Quality Education Concert, analyzed the traditional genre of the Chinese traditional musical instrument Guzheng and contemporary compositions, and interpreted those works with the common Guzheng and Cantonese style Guzheng with steel strings (2014-2017)">