Violin

3./2. Assistant Concertmaster 80% (1) – Permanent

  • Vacancy Data

  • Institution
    Het Gelders Orkest en Orkest van het Oosten
  • Full description
    3./2. Assistant Concertmaster 80% (1) – Permanent
  • Number of positions
    1
  • Type
    Permanent
  • Duration / Start
    By arrangement
  • Application deadline
    Closed
  • Additional notes

    Het Gelders Orkest and Orkest van het Oosten are looking for:

     Second concertmaster (3rd chair) , 80%, Enschede

     Position

    The vacancy is for the position of 2nd concertmaster in Enschede. As 2nd concertmaster you will play on the 3rd chair, but you will play on the 2nd chair in selected programs as well. 

  • Event
    • Audition – April 9, 2020 • 10:00
  • Mandatory pieces

    Solo concertos:

    1st round: Mozart 4 or 5: 1st movement with cadenza

    2nd round: Brahms/Sibelius/Tchaikovsky/Beethoven/Mendelssohn/Bruch: 1st movement with cadenza


  • Orchestral excerpts

    Orkestpartijen 1e ronde / Orchestra fragments 1st round

     

    Tuttifragmenten / Tutti fragments:

    W.A. Mozart – Symfonie nr. 39 (2 fragmenten) / Symphony no. 39 (2 fragments)

    J.Brahms – Symfonie nr. 1 (2 fragmenten) / Symphony no. 1 (2 fragments)

    R. Strauss – Don Juan

     

    Soli / Solos:

    J.S. Bach – Matthäus Passion, Gebt Mir

    Orkestpartijen 2e ronde / Orchestra fragments 2nd round

     

    Tuttifragmenten / Tutti fragments:

    Beethoven - Symfonie nr. 9, fragment langzame deel / Symphony no. 9, slow movement

    G. Mahler – Symfonie nr. 3, deel 2, cijfer 14-18, inclusief solo / Symphony nr. 3, 2nd movement, figures

       14-18 including solo

    R. Schumann – Symfonie nr. 2, Scherzo / Symphony no. 2, Scherzo

    M. Ravel – La Valse

    S. Prokofjev – Symfonie nr. 1, deel 1 cijfer 1-12 / Symphony no. 1, 1st movement, figures 1-12

     

    Soli / Solos:

    J Bach - Mattheus Passion, Erbarme Dich

    J. Brahms – Symfonie nr. 1 / Symphony no. 1

    D. Sjostakovitsj – Symfonie nr. 5, beide soli / Symphony no. 5, both solos


    Candidates who are directly invited to play in the second round, have to prepare also the repertoire of the first round