O/Modernt Foundation and Artistic Director Hugo Ticciati are seeking outstanding string players to join the O/Modernt Chamber Orchestra on a freelance basis. Successful applicant(s) will become an integral part of a dynamic and creative ensemble that has gained an international reputation over the last decade. Comprised of top-class string players from all over Europe, O/Modernt Chamber Orchestra performs regularly on tour and is the resident ensemble at the annual Festival O/Modernt in Stockholm. Recent and upcoming highlights include concerts in Konzerthaus Berlin, Kölner Philharmonie, Elbphilharmonie, Berwaldhallen and Wigmore Hall.
About O/Modernt: https://omodernt.com/omodernt
O/Modernt Chamber Orchestra: https://omodernt.com/orchestra
Festival O/Modernt: https://omodernt.com/festival
1st round:
Please apply with a high-quality video recording (YouTube or Vimeo).
The recording should be an unedited video of 10-15 minutes and include a contrasting variety of excerpts (fast/slow/old/new!). A mixture of solo pieces, works with piano accompaniment and orchestral excerpts are welcomed.
The video can be a compilation made from unedited recordings from different performances. There are no restrictions in the choice of repertoire and movements/pieces do not need to be performed in their entirety.
Closing date: 29 December
2nd round:
An online interview with the Artistic Director Hugo Ticciati and one of the principals of O/Modernt Chamber Orchestra.
3rd round:
A trial project/concert with O/Modernt Chamber Orchestra in 2022.
For any inquiries, please contact Elisa Tabò at elisa@omodernt.com
Presentación de vídeo(s) obligatoria (especificar abajo). No hay audición presencial.
Please apply with a high-quality video recording (YouTube or Vimeo).
The recording should be an unedited video of 10-15 minutes and include a contrasting variety of excerpts (fast/slow/old/new!). A mixture of solo pieces, works with piano accompaniment and orchestral excerpts are welcomed.
The video can be a compilation made from unedited recordings from different performances. There are no restrictions in the choice of repertoire and movements/pieces do not need to be performed in their entirety.